The Language of Film (a)
The
Language of Film (b)The
Language of Film (c)
The Language of Film
| Degree of difficulty: | intermediate |
| Interests/Skills: |
– Selected terms for film and analysis – (field sizes, point of view, camera angles, camera movement, montage, ...) |
| * Additional Exercises (Wahlaufgaben) |
If you have enough time you should do these exercises as well! |
| Group
work: |
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| (1) The Language of Film (Selected Terms for Film Analysis) |
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| * (2) The making of a film |
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| (3) Memorable scenes |
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| (4) Poster: Memorable scenes |
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| **(5) Roleplay one scene and record it on video |
| TOPIC | Part 03 | material | timing | group | Where to find information |
|---|---|---|---|---|---|
| Mr. Keating - |
Creative Writing: The best teacher I've ever had ... |
|
about 40 |
ja |
1(a) FIELD SIZES (Einstellungsgröße / Bildausschnitte)
close–up |
Detailaufnahme |
extreme close–up / detail shot |
Großaufnahme |
full shot |
Halbnaheinstellung |
long shot |
Halbtotale |
medium long shot |
Naheinstellung |
medium shot |
Normale |
normal shot |
Totale |
English |
German |
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| (1) The camera is at a great distance from the subject being filmed and presents the entire setting. | ||
| (2) The subject of the shot, e. g. a couple, is shown together with its surroundings. | ||
| (3) A shot of a subject that includes the entire body and not much else. | ||
| (4) The camera is not quite as near to its object as in a close–up; with human subjects the person is shown down to the waist or hips. | ||
| (5) comprehensive term for all field sizes between long shot and close–up | ||
| (6) The camera is very close to the object; with human subject, the face and its expressions are shown. The slightest nuance of expression in an actor's face is shown and can become significant. | ||
| (7) a shot of a hand, eye, mouth or object in detail |
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The Language of Film (b)The
Language of Film (c)
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