| |
|
Länge
der Szene |
Zählwerk
Videorecorder |
| scene
1 |
Chapel of Welton Academy:
Introductory scenes. Film credits. Last preparations for opening ceremony.
|
2,05 |
0:00:00 |
| Q1 |
Name the mini-scenes at the beginning of the film
before Headmaster Nolan makes his speech. |
| 1 |
mural painting of a group of boys |
2 |
little school boy is dressed |
3 |
title of film and credits |
4 |
bagpiper opens bagpipe case |
5 |
photo taken of two boys |
6 |
candle is lit |
7 |
whispering people |
8 |
elderly gentleman with candle gets instructions |
9 |
banner bearers are shown |
10 |
procession enters the chapel |
| Q2 |
What is the function of these numerous short scenes/glimpses? |
| 1 |
They provide the setting and create some kind
of tension, because we cannot
make head nor tail of quite a few of these scenes at first glance.
We will only be able to do that in retrospect, or if we know the book. |
| Q3 |
What impression do we get of the school, the parents,
teachers and students? |
| |
It looks like a prestigious old private school
with many traditions. Parents seem to be rich (cars!) and important
people. Students wear blazers with school badges. |
| Q4 |
In which order does the procession enter the chapel? |
1 |
little boys |
2 |
bagpipers |
3 |
banner bearers |
| 4 |
among the banner
bearers, elderly gentleman with candle |
| |
| scene 2 |
Headmaster Nolan’s speech with introduction
of Keating. |
1,53 |
0:02:05 |
| Q1 |
Characterize Nolan based on his facial expression
and on the way he talks. |
| |
Nolan smiles, one of the few occasions that he
does so. His smile, however, is a bit strange. He looks and is conceited;
"We are the best preparatory school in the United States!"
He makes it clear by the way he talks and behaves that he is the boss. |
| Q2 |
Name the "four pillars" of Welton Academy. |
1 |
Tradition |
2 |
Honor |
3 |
Discipline |
4 |
Excellence |
| |
| scene 3 |
Outside: Parents say good-bye to their
sons. |
1,44 |
0:03:58 |
| Q1 |
What does Nolan say to Todd? |
| |
"You have some big shoes to fill, young man.
Your brother was one of our finest." |
| Q2 |
What does Nolan say to Neil? |
| |
"Neil, we expect great things from you this
year!" |
| |
| scene 4 |
Neil and other boys in Neil’s room. |
1,30 |
0:05:42 |
| Q1 |
Name the "four-pillar-version" of the
boys. |
1 |
Travesty |
2 |
Horror |
3 |
Decadence |
4 |
Excrement |
| |
| scene 5 |
Mr. Perry in Neil’s room: Argument
about too many extracurricular activities. |
1,51 |
0:07:12 |
| Q1 |
How does Neil address his father? |
| |
He calls him "sir": "Yessuh!" |
| Q2 |
What does this form of address reveal about the
father-son relationship? |
| |
Authoritarian father who behaves like a drill
sergeant in the army. Shy and obedient son. It should, however, be
pointed out that in conservative Southern families this form of address
"Yes Sir!" / "Yes M’am!" can still be found
today. |
| |
| scene 6 |
Bells ringing from steeple of school chapel. |
0,10 |
0:09:03 |
| Q1 |
How are scenes 5 and 6 linked (montage)? |
| |
In scene 5 Todd sets his watch; in 6 we see and
hear "the school’s Big Ben". |
| |
| scene 7 |
Countryside: Birds in the sky. |
0,17 |
0:09:13 |
| |
| scene 8 |
Welton Academy: Boys on the staircase. |
0,18 |
0:09:30 |
| Q1 |
What is the link between scenes 7 and 8 (montage)? |
| |
Possible combining elements could be: noise, wildness,
but also longing for freedom. |
| |
| scene 9 |
Inside Welton Academy. Glimpses at classes: Chemistry, Latin
and trigonometry. |
0,12 |
0:09:48 |
| Q1 |
Why do the glimpses at different classes in this scene preceed the
English class in scene 10? |
| |
The idea is obviously to show how different Mr.
Keating is from what the students are used to in the classroom. |
| |
| scene 10 |
Keating’s first English lesson: "Carpe Diem". |
5,48 |
0:10:00 |
| Q1 |
Which name does Keating use for Welton Academy and why does he do
so? |
| |
He says "Hellton" Academy which is,
of course, the pun of an alumnus and one of his many ways to attract
the attention of his students. |
| Q2 |
What does Keating whisper when the boys look at old photos in the
Honor Room? |
| |
"Carpe diem!" |
| Q3 |
Characterize Keating based on the "carpe diem lesson". |
| |
He is strange, weird, eccentric, but nice. |
| Q4 |
Based on this lesson, explain his philosophy of life. |
| |
"Since life does not last forever, and men
must die and will eventually "fertilize daffodils", Keating
advocates a philosophy that can best be summed up in sentences/quotations
like: "Seize the day." "Make your lives extraordinary."
"Gather ye rosebuds while ye may." |
| |
| scene 11 |
Students leave class and give their opinion on Mr. Keating. |
0,24 |
0:15:48 |
| Q1 |
How do the boys characterize Keating? |
| |
"weird, different, spooky" |
| |
| scene 12 |
Boys in the showers. |
0,30 |
0:16:12 |
| |
| scene 13 |
Todd alone in his room. |
0,27 |
0:16:42 |
| |
| scene 14 |
Dr. Hager takes Knox to the Danburrys. |
0,41 |
0:17:09 |
| Q1 |
How does the film (in a positive sense) foreshadow the love scene
that follows? |
| |
There are beautiful pictures of the countryside,
and romantic harp music accompanies the scene. |
| |
| scene 15 |
Knox falls in love with Chris who opens the door at the
Danburrys. |
0,28 |
0:17:50 |
| |
| scene 16 |
Knox is welcomed by the Danburrys. |
0,11 |
0:18:18 |
| Q1 |
What does Mr. Danburry call Knox? |
| |
"A spitting image of his father" |
| |
| scene 17 |
Study hall at Welton Academy: radio experiment. Knox: "I’ve
met the most beautiful girl ..."
|
1,31 |
0:18:29 |
| |
| scene 18 |
The Pritchard Poetry lesson. |
5,33 |
0:20:00 |
| Q1 |
How is Cameron characterized through the camera work in this scene? |
| |
He dutifully copies Keating’s graphs without
even being told to do so, then crosses everything out when Keating
does it on the board. After hesitating for a long time he rips the
pages out, but he does it neatly with a ruler. He acts like a teacher’s
pet, seems to be an unpleasant character. |
| Q2 |
What point of view does the camera take before McAllister enters
the classroom? |
| |
The camera "looks" into the classroom
"through the door", thus adopting Mr. McAllister’s
point of view. |
| Q3 |
Comment on Keating’s "In my class you will learn to think
for yourselves again ...". |
| |
The very class in which Keating has the boys rip
out the pages from their textbooks is not altogether a good example
, because Keating talks them into doing it. In this scene he acts
somewhat like a demagogue, and the boys do what he wants them to do
without really thinking about it. |
| Q4 |
Which camera angle is used in the "I have a little secret for
you" scene? Why? |
| |
Low angle. Keating has the boys huddle up - he
always does so when he tells them a secret. He assumes the position
of a "guru". Kindergarten teachers talk to the kids in a
similar way. |
| Q5 |
Which are the "noble pursuits necessary to sustain life"
according to Keating?
(4 words) |
1 |
medicine |
2 |
law |
3 |
business |
4 |
engineering |
| Q6 |
"These are what we stay alive for." Name the 4 terms. |
1 |
poetry |
2 |
beauty |
3 |
romance |
4 |
love |
| Q7 |
Do you agree with Keating’s point of view? |
| Q8 |
Last close-up in this scene: Who is in the picture? Why? |
| |
Todd, he absorbs Keating’s every word like
a sponge. |
| |
| scene 19 |
Saying grace in dinner hall. |
0,17 |
0:25:33 |
| Q1 |
What links scenes 18 and 19 (montage)? |
| |
In scene 18 Keating asks Todd, "What would
(will) your verse be? In scene 19 we hear a different kind of verse:
"For what we are about to receive may ther Lord make us truly
grateful." |
| |
| scene 20 |
Keating and McAllister discuss realism/romanticism at dinner
table. |
0,57 |
0:25:50 |
| Q1 |
What is Keating’s answer to McAllister’s "Show
me the heart unfettered by foolish dreams, and I’ll show you
a happy man."? |
| |
"Only in their dreams can men be truly free
T’was always thus and always thus will be." |
| Q2 |
Based on this scene and on scene 18, explain the difference between
realism and romanticism as Keating and McAllister see it. |
| |
| scene 21 |
Neil Perry finds an old school annual in the library with
an article about Keating and the Dead Poets Society.
|
0,26 |
0:26:47 |
| |
| scene 22 |
In the courtyard: Boys ask Keating about DPS |
2,56 |
0:27:13 |
| Q1 |
How (position!) does Keating tell Neil about the DPS?
On what kind of occasions is this position used by Keating ? |
| |
He kneels down and huddles up with the boys whenever
he tells them what he considers to be a secret. |
| Q2 |
What were the Dead Poets dedicated to? Quote and name the author. |
| |
"They were dedicated to sucking the marrow
out of life", Thoreau. |
| Q3 |
There is a close-up of Neil in this scene. What is he thinking? |
| |
A new DPS is born in his head. |
| Q4 |
What is Neil trying to do at the end of this scene? |
| |
He tries to talk Knox into joining the DPS. |
| |
| scene 23 |
Study hall: Boys study cave map. |
0,31 |
0:30:09 |
| Q1 |
What links scenes 22 and 23? |
| |
electronic music, otherwise hard cut |
| |
| scene 24 |
Dorm hall: Neil invites Todd to join the DPS. |
0,49 |
0:30:40 |
| Q1 |
What kind of scene (technical term)? |
| |
Persuasion scene |
| |
| scene 25 |
Pre-bedtime activity in front of dormitory. |
0,34 |
0:31:29 |
| |
| scene 26 |
Neil’s room: He finds poetry anthology on his desk. |
0,19 |
0:32:03 |
| Q1 |
What is the title of the anthology? |
| |
"Five Centuries of Verse" |
| Q2 |
How did the anthology get on Neil’s desk? |
| |
Keating probably put it there. |
| |
| scene 27 |
The boys run to the cave at night. |
2,23 |
0:32:22 |
| Q1 |
Describe the atmosphere in this scene and list all the devices/means
by which this atmosphere is established. |
|
Eerie, mysterious, spooky, created by: |
1 |
music |
2 |
door squeaking |
3 |
dog barking |
4 |
darkness |
5 |
shadows |
6 |
deserted corridor |
7 |
boys in KKK-like hoods |
8 |
moon shadows |
9 |
wolf howling |
10 |
birds in shock |
11 |
blurred picture |
12 |
flashlight beams |
13 |
owl |
14 |
Charlie scaring the others, "I am a dead
poet" |
| |
| scene 28 |
In the cave (no. 1): Neil opens the meeting and reconvenes
the DPS. |
0,59 |
0:34:51 |
| |
| scene 29 |
Neil tells a spooky story. |
2,04 |
0:35:50 |
| |
| scene 30 |
Cameron tries to tell a joke. Pitts reads a funny poem.
Charlie shows pin-up girl and reads poem.
|
|
|
| |
| scene 31 |
Neil reads from "Ulysses" by Tennyson |
0,36 |
0:37:54 |
| |
| scene 32 |
Meeks reads "Then I saw the Congo ..." by Vachel
Lindsay, and
boys dance and clown to the beat
|
0,51 |
0:38:30 |
| |
| scene 33 |
Bell rings and hooded boys run home |
0,07 |
0:39:21 |
| |
| scene 34 |
Back in class, the next day: Keating's lesson on language
("Language was invented to woo women.")
|
0,07 |
0:39:28 |
| Q1 |
How does Keating deal with Todd in this scene? |
| |
He is picking on him, is unfair. |
| |
| scene 35 |
Keating imitates Marlon Brando and John Wayne in Shakespeare
plays |
1,31 |
0:39:35 |
| |
| scene 36 |
Keating's "point of view lesson". He and boys
jump on desk. |
1,39 |
0:41:06 |
| Q1 |
How does the filmmaker/the actor represent Keating in this scene? |
| |
Keating is depicted as an eccentric teacher and
a great entertainer. |
| Q2 |
What is it that Keating wants the boys to learn? |
| |
That they must constantly force themselve to look
at things differently. |
| Q3 |
What camera angle is used in this scene and why? |
| |
Keating demonstrates literally that a different
point of view changes perspective. |
| |
| scene 37 |
Outside activities: rowing, fencing, dancing |
0,44 |
0:42:45 |
| Q1 |
What is the function of the rock'n roll scene on the tower? |
| |
The boys start doing things their own way, they
begin to seize the day. |
| |
| scene 38 |
In their room: Todd tries to write a poem and is interrupted
by Neil who shows him a note about "A Midsummer Night's Dream"
|
0,52 |
0:43:29 |
| Q1 |
What does Neil shout in this scene? What does that indicate? |
| |
"Carpe diem!" Neil's coming-out scene. |
| Q2 |
What camera angles are used in this scene and why? |
| |
High- and low-angle shots: Todd is always sitting
on his bed in a lower position: superiority/dominance versus inferiority/helplessness
is expressed. Then straight-on angle shots are used when Neil steals
Todd's poem, and a crazy man hunt over the beds begins. |
| |
| scene 39 |
Todd advises Neil to ask his father's permission and is
told by Neil to become active himself
|
2,21 |
0:44:21 |
| |
| scene 40 |
Knox goes to town by bicycle |
0,36 |
0:46:42 |
| Q1 |
Describe the atmosphere in this scene. How is it conveyed? |
| |
An atmosphere of joy, conveyed by romantic harp
music and images of a beautiful countryside; Knox shouts for joy. |
| |
| scene 41 |
The schoolband on their way to the football stadium |
0,21 |
0:47:18 |
| |
| scene 42 |
"High life" in front of the football stadium:
- a boy dancing on top of the school bus
- cheerleaders dancing
- Knox watching from behind sun glasses
|
0,08 |
0:47:39 |
| |
| scene 43 |
Knox sees Chris hugging Chat and returns home, disappointed |
0,26 |
0:47:47 |
| |
| scene 44 |
Outside Welton Academy: Keating’s "soccer lesson" |
0,34 |
0:48:13 |
| |
| scene 45 |
Boys recite verses while kicking balls |
0,58 |
0:48:47 |
| Q1 |
Write down the verses recited by:
1. Pitts (0:48:47)
2. Charlie |
1 |
"Oh, to struggle against great odds, to meet
enemies undaunted!" |
2 |
"To indeed be a god." |
| |
| scene 46 |
Neil has got the part of Puck |
0,15 |
0:39:45 |
| |
| scene 47 |
Neil fakes a letter of permission |
0,32 |
0:50:00 |
| Q1 |
Write down the first sentence of the letter! |
| |
"I am writing on behalf of my son N.P. ...". |
| |
| scene 48 |
Interlude with bagpipe music |
0,22 |
0:50:32 |
| Q1 |
Describe the atmosphere of this scene. |
| Q2 |
What is the function of this scene? |
| |
| scene 49 |
Todd alone in his room |
0,23 |
0:50:54 |
| Q1 |
What is Todd doing in this scene without words? |
| |
A melancholic scene by the lake; NN standing by
the landing-stage; Welton Academy in the fog. |
| Q2 |
How are scenes 48 and 49 connected? |
| |
It is a foreshadowing of problems to come from
Neil's faking the letter. There is a strong contrast between this
melancholic scene with sad bagpipe music and the happy atmosphere
with trumpet music in "soccer scene" no. 45. |
| |
| scene 50 |
In English class the next day: Knox reads his love poem
to Chris aloud
|
0,40 |
0:51:17 |
| |
| scene 51 |
"Mr. Hopkins" reads out his "poem" |
0,48 |
0:51:57 |
| Q1 |
What does Keating say about this "effort"? |
| |
"Congratulations, Mr. Hopkins, you have the
first poem that has a negative score on the Pritchard scale". |
| |
| scene 52 |
Todd's "yawp lesson" |
2,41 |
0:52:45 |
| Q1 |
Copy the Walt Whitman verse that Keating writes on the blackboard! |
| |
"I sound my barbaric yawp over the rooftops
of the world." |
| Q2 |
What kind of camera movement do we find in this scene? Why is it
used? |
| |
The camera pans across the picture very fast:
it focuses on Keating, who is following Todd through the classroom.
The wild camera movement reflects Todd’s emotions. |
| |
| scene 53 |
The Ode to Joy scene |
0,54 |
0:55:26 |
| Q1 |
Comment on the importance of the soundtrack (music) in this scene. |
| |
The music plays a major part: it is vital in creating
a certain atmosphere. |
| Q2 |
Describe the general atmosphere in this scene. |
| |
An atmosphere of great joy and happiness: The
scene establishes the joyous relationship and feelings of friendship
and closeness which have emerged between Keating and his students. |
| Q3 |
How is this atmosphere created in the film? Pay special attention
to 1. music; 2. sound, other than music; 3. colors; 4. images; 5.
camera movement. |
| 1 |
music: Ode to Joy. This music, as indicated by
its name, is joyful, and the text, sung in German, underlines it:
"Alle Menschen werden Brüder". The boys feel that their
teacher is one of them. |
| 2 |
sound: Apart from the music, there is no sound;
the pictures speak for themselves. |
3 |
colors: beautiful, warm colors, particularly with
the sunset. |
| 4 |
images: touching pictures, bordering on kitsch,
with the boys carrying Keating on their shoulders into the sunset. |
5 |
camera movement: very fast, but also slow motion. |
| Q4 |
Why is there this kind of atmosphere? |
| |
The scene follows the "yawp-lesson"
in which Todd has his "coming out". Todd has started "contributing
his verse", and everybody is happy about it. This happiness is
reflected here. |
| Q5 |
"Translate" the "film language" of this scene
into "written language". |
| |
"After Todd had made his speech he was very
happy, and so were the other boys and Keating. The boys thanked Keating
by carrying him on their shoulders." The film can say this all
much better: it can communicate non-verbally, touching the viewers’
emotions without ever reverting to dialogue. |
| Q6 |
How long, do you think, is scene 53 in minutes? |
| |
The scene lasts less than one minute, but it appears
to be considerably longer, due to the fact that the film uses so many
different channels. |
| |
| scene 54 |
Cave meeting no. 2: Neil comes with a lamp ("the god
of the cave"). Charlie plays the saxophone.
|
2,20 |
0:56:20 |
| |
| scene 55 |
Knox calls Chris and is invited to the party |
2,08 |
0:58:40 |
| Q1 |
Knox shouts out two "verbal leitmotifs" of the story.
What are they? |
1 |
"Carpe diem!" |
2 |
"Yawp!" |
| Q2 |
Why does he do so? |
| |
Knox wants to encourage himself to make the phone
call and when he does it, he is pleased with himself, "yawp"
standing for "I did it! I was successful!" |
| |
| scene 56 |
The marching lesson |
2,08 |
1:00:48 |
| Q1 |
Write down the verse by Robert Frost that is quoted here by Keating.
|
| |
"Two roads diverged in the wood and I took
the one less traveled by." |
| Q2 |
What is it that Keating tries to teach the boys in this lesson? |
| |
To resist conformity in their lives, to do things
their way. |
| |
| scene 57 |
McAllister secretly watches the marching lesson |
1,52 |
1:02:56 |
| |
| scene 58 |
Todd shows Neil his unwanted birthday present and throws
it away |
|
|
| Q1 |
Describe the atmosphere at the beginning and at the end of the scene. |
| |
First an atmosphere of sadness and melancholy,
later an atmosphere of happiness and friendship. |
| Q2 |
How is this atmosphere created in the film? |
| |
Darkness, moonlight, twilight; later a joking
Neil. |
| Q3 |
What is the function of this scene in regard to the relationship
between Neil and Todd? |
| |
It illustrates friendship and understanding betwen
the two boys. Neil looks after Todd and cheers him up. |
| |
| scene 59 |
Cave meeting no. 3: Charlie brings two girls, Tina and Gloria.
Charlie announces that "Nuwanda" is his new name.
|
0,08 |
1:04:48 |
| |
| scene 60 |
House of the Danburrys: Knox meets Chris at the party. Knox
is made to drink whiskey.
|
2,38 |
1:04:56 |
| |
| scene 61 |
Back at the cave:
Charlie: "Shall I compare thee to a summer’s day ..."
|
0,50 |
1:07:34 |
| Q1 |
Why does Charlie recite the Shakespeare sonnet? |
| |
He wants to impress the girls by pretending he
wrote it, and he wants "to make them swoon". |
| |
| scene 62 |
Back at the party: Knox fondles Chris
|
3,28 |
1:08:24 |
| Q1 |
Comment on the camera movement. |
| |
A somewhat hectic panning shot, which is supposed
to show that Knox is drunk. |
| Q2 |
What is the function of the close-up of Knox’ face? |
| |
To show what is going on in his mind: he gives
himself Dutch courage. |
| |
| scene 63 |
Back at the cave: Charlie informs the others that he has
published a letter in the school paper: "Admit girls to Welton!"
|
|
|
| |
| scene 64 |
Welton Academy Chapel: Nolan’s speech |
0,59 |
1:11:52 |
| Q1 |
Describe the atmosphere. |
| |
Threatening. The faculty members enter the chapel
like marching soldiers. Nolan yells "Sit!" like a drill
sergeant, and the chaplain whispers something ominously into Nolan’s
ear. The boys look at one another meaningfully when they are accused. |
| |
| scene 65 |
Charlie’s telephone call: "It’s God, Mr.
Nolan!" |
0,21 |
1:12:51 |
| Q1 |
Comment on the facial expressions of the other DPS boys in this
scene. |
| |
It looks as if they think Charlie is crazy. |
| |
| scene 66 |
Charlie is corporally punished in Nolan’s office |
1,06 |
1:13:13 |
| Q1 |
Find two close-ups in this scene and comment on their function. |
| |
Nolan’s hand closing the door behind him,
the paddle. The close-ups reinforce the threatening mood of this scene
and characterize Nolan as a brutal sadist. |
| |
| scene 67 |
The other DPS boys are waiting for Charlie in the hall |
0,59 |
1:14:19 |
| Q1 |
What is the message when Charlie says, "The name is Nuwanda!" |
| |
Translated, it means: "I did not betray you." |
| Q2 |
Comment on Charlie’s and Neil’s facial expression at
the end of this scene. |
| |
There is a broad smile on their faces; no words
are spoken. They understand each other. |
| |
| scene 68 |
In Keating’s classroom: Nolan warns him not to use
his unorthodox teaching methods
|
1,18 |
1:15:18 |
| Q1 |
How does Nolan address Keating here? Why? |
| |
He calls him "John", not Mr. Keating,
as if to say, "I am your friend, listen to me!" It is a
menacing intimacy, though. |
| |
| scene 69 |
In the hall: Keating reprimands Charlie |
1,18 |
1:16:32 |
| Q1 |
What does Keating say at the end of this scene? Explain his joke. |
| |
Phone call from God: "If it had been collect
it would have been daring!" i.e. if God had made a collect call
so that Nolan would have had to pay, it would have been daring. |
| |
| scene 70 |
Neil cycles to the play rehearsal |
0,40 |
1:17:50 |
| |
| scene 71 |
Back at Welton: Neil is visited by his angry father who
forbids him to play Puck |
1,44 |
1:18:30 |
| Q1 |
What point-of-view of the camera is used frequently in this scene?
Why? |
| |
Over-the-shoulder shot: It shows the scene from
the points of view of the two characters involved, i.e. Neil and his
father. |
| Q2 |
What does the close-up of Neil’s face reveal about his emotions? |
| |
He is suffering extremely because of his father
who behaves like a drill sergeant. |
| Q3 |
No words are spoken at the end of this scene - what do the pictures
tell? |
| |
Again, they show how Neil suffers from his authoritarian
father who shows neither understanding nor sympathy. |
| |
| scene 72 |
In Keating’s private room: Neil sees his teacher after
the argument with his father. Keating advises Neil to talk to and
try to persuade his father.
|
2,50 |
1:20:14 |
| Q1 |
What does the camera tell us about Keating’s private life? |
| |
There is a photo of his girl friend on his desk. |
| Q2 |
What is Keating doing when Neil enters the room? |
| |
He is writing a love letter to his girl friend
in England. |
| Q3 |
How are scenes 71 and 72 connected? |
| |
There is no real link, but a hard cut. |
| Q4 |
Compare this "link" with the contents and atmosphere of
the two scenes |
| |
The hard cut is not only a film technique, but
it also applies to the content and atmosphere: Scene 71 shows Neil’s
cruel, natural father, whereas scene 72 shows his understanding "foster-father".
The first scene is extremely cold, with an atmosphere like a barrack-square,
scene 72 is quiet, with soothing, romantic background music. |
| |
| scene 73 |
Henley Hall in the snow: Knox brings Chris flowers and recites
his love poem |
1,36 |
1:23:04 |
| Q1 |
To what extent does the sound of the school bell influence Knox’
action, and what does this tell us about him? |
| |
In spite of the final nature of that sound and
the closed classroom door, Knox still follows Chris and recites his
poem. He is courageous and seizes the day. |
| |
| scene 74 |
A proud Knox "steals" a sandwich from the school
kitchen and hurries back to class |
0,37 |
1:24:40 |
| |
| scene 75 |
Neil lies to Keating saying that he has actually talked
to his father |
0,55 |
1:25:17 |
| |
| scene 76 |
The boys get ready to go to see the play at Henley Hall |
|
1:26:12 |
| |
| scene 77 |
Charlie paints a Red Indian warrior symbol for virility
on his chest |
0,42 |
1:26:12 |
| |
| scene 78 |
Chris visits Knox at Welton Academy |
2,14 |
1:26:54 |
| Q1 |
What is the technical term in literature for such a scene? |
| |
Persuasion scene |
| |
| scene 79 |
Henley Hall: Excerpts from Shakespeare’s "A Midsummer
Night’s Dream" |
3,48 |
1:29:08 |
| Q1 |
What is the play "A Midsummer Night’s Dream" about?
Do you understand any details from the excerpts shown in the movie? |
| |
Note to the teacher: A teacher or student outline
of the content of the play is recommended |
| Q2 |
Compare the two different lines of action: the play and reality
(Mr. Perry’s arrival). Collect catchwords: A. The play B. Reality
(Mr. Perry) |
| 1 |
The play: a romantic fairy tale, although there
are some menacing undertones, dreams, romantic flute music, "flower
children". The romantic mood is somewhat echoed by the audience,
where Knox and Chris are holding hands. |
| 2 |
Reality: A furious and outrageous Mr. Perry, waiting
impatiently to take his son home and to send him to a military school. |
| Q3 |
Do you see any links between the contents of Neil’s monologue
"If we shadows have offended ..." and reality? |
| |
In the monologue, we learn that mistakes have
been made, an apology is offered and the wish is expressed that friendship
and harmony be restored. Since Neil, as Puck/Robin, seems to address
his father directly from the stage, it can be assumed that he also
refers to his own situation: he has betrayed his father by forging
a letter! "If you pardon, we will mend ...Give me your hands,
if we be friends, and Robin shall restore amends ...". |
| |
| scene 80 |
Neil gets a standing ovation, then exits with his father |
2,23 |
1:32:56 |
| Q1 |
What do the DPS boys shout during the standing ovation? Why? |
| |
"Yawp!" Like in Todd’s "yawp
lesson", this indicates that from the point of view of his friends,
Neil has done something extraordinary, that he has learned the lesson
Keating tried to teach the boys. |
| Q2 |
At the end of the scene, before the shift to the Perrys’ house:
what is Mr. Keating thinking? |
| |
It seems that he is wondering whether Neil has
lied to him when he told him about his father’s permission for
the play. |
| |
| scene 81 |
At the Perrys’ house: Neil and his father come home from Welton
Academy and meet Mrs. Perry
|
2,42 |
1:35:19 |
| Q1 |
How does the camera characterize Mr. Perry? |
| |
Mr. Perry is standing, hands in his pockets, like
a judge. Neil is sitting like someone accused in court. "We won’t
let you ruin your life. We’ll withdraw you from Welton and enrol
you in Braden Military School." |
| |
| scene 82 |
The Perrys’ bedroom: Mrs. Perry starts crying |
0,21 |
1:38:01 |
| |
| scene 83 |
Neil in his own room, stares out of the window, puts on
Puck’s crown |
1,35 |
1:30:22 |
| Q1 |
Listen to and comment on the sounds and music. |
| |
Mysterious and dangerous. The music is getting
louder at the end, tension is created |
| Q2 |
Comment on the lighting. |
| |
The viewer only sees Neil’s shadow on the
wall all the time. All of a sudden the "real thing", i.e.
Neil himself comes into sight and grabs the wreath. The wreath casts
shadows, which look like tears running down his face. |
| Q3 |
Are there any special film techniques in this scene?
What is their function? |
| |
When Neil lowers his arms after putting the wreath
on his head, this happens in slow motion, which puts special emphasis
on this symbolic act. |
| Q4 |
Can you detect any symbols/symbolism in this scene? |
| |
The wreath, Puck’s crown, resembles Jesus’
crown of thorns. In the book, p.147, although not in the film, the
poem "General William Booth Enters Heaven", by Vachel Lindsay
comes into focus here. The boys, at a cave meeting with Keating, keep
repeating the line "Are you washed in the blood of the lamb?".
While they are enacting this ritual, Neil is preparing to commit suicide.
Thus the symbolism, the correspondence between the deaths of Salvation
Army General William Booth, of Neil and of Jesus is even more explicit
in the book than in the film. |
| |
| scene 84 |
Neil on his way to and in his father’s study |
1,30 |
1:39:57 |
| Q1 |
Comment on the sounds and music in this scene. |
| |
In the entire scene there is no sound except synthesizer
music; there is an ominous silence and Neil’s steps cannot be
heard. |
| Q2 |
Are there any extreme field sizes? What is their function? |
| |
A detail shot of doorknob and a close-up of Neil’s
bare feet when he is leaving his room create a thrillerlike tension. |
| Q3 |
Comment on the lighting. |
| |
You can only see Neil’s shadow walking downstairs,
and this gives the scene a spooky and menacing atmosphere. |
| |
| scene 85 |
Parents’ bedroom |
0,33 |
1:41:27 |
| Q1 |
Can you detect any ominous/foreshadowing symbol in this scene? |
| |
Mr. Perry’s hand/fist close to a dagger
on his bedside table. The camera focuses on a lamp with a menacing
dragon. |
| |
| scene 86 |
Neil’s suicide in father’s study |
1,09 |
1:42:00 |
| Q1 |
Which special film technique is used in this scene and why? |
| |
There is a slow-motion rendering of Mr. Perry
discovering Neil’s body, which expresses utmost terror and fear.) |
| |
| scene 87 |
Charlie wakes Todd up "Neil is dead!" |
0,31 |
1:43:09 |
| |
| scene 88 |
Outside, winter scenery: Todd and the other DPS boys after
Neil’s death |
0,05 |
1:43:40 |
| Q1 |
What is the mood/atmosphere in this scene? How is it conveyed through
the film? |
| |
A mood of loneliness and sadness: there is sad
flute music. Boys wearing dark hoods are marching through the snow
of a calm winter landscape. |
| |
| scene 89 |
Keating alone in a classroom, starts crying |
0,10 |
1:45:45 |
| Q1 |
What is the mood/atmosphere in this scene? How is it conveyed through
the film? |
| |
A mood of utter despair. A close-up of the line
"To be read at the opening of the DPS meetings" evokes memories;
it is ironic because this is the end of the DPS. The feeling of despair
and loneliness is reinforced through sad music, twilight and Neil’s
and Charlie’s empty desks, on which the camera focuses. |
| |
| scene 90 |
Funeral Service in Welton Chapel |
0,36 |
1:46:54 |
| |
| scene 91 |
Nolan’s speech in the chapel: He announces a strict
investigation |
0,48 |
1:47:30 |
| |
| scene 92 |
The DPS boys meet secretly in the trunk room. Charlie beats
Cameron up: "You are a rat!"
|
2,56 |
1:48:18 |
| Q1 |
How does Cameron behave in this scene? Comment on his behavior. |
| |
Cameron is a coward traitor. He finked, and his
lame excuse is the honor code of the school. |
| |
| scene 93 |
Dr. Hager escorts Meeks and later Knox to Nolan’s
office for the interrogation |
3,14 |
1:51:14 |
| |
| scene 94 |
Todd in Nolan’s office, where he meets his parents:
He refuses to sign a paper that blames Mr. Keating
|
|
|
| Q1 |
Describe the atmosphere in Nolan’s office. How is this atmosphere
created in the film? |
| |
The setting resembles that of a court or prison.
Nolan is sitting behind his desk like a judge. Todd’s father,
not Nolan, gives his son the paper to sign. |
| Q2 |
Name the two close-ups in this scene and comment on their functions |
| 1 |
A close-up of the signatures of Cameron, Meeks,
Pitts and Overstreet. This is meant to say, without a word spoken
and in a threatening way, "Only your signature, Todd, is missing." |
2 |
Nolan’s fountain pen, in a close-up, looks
like a weapon |
| Q3 |
How do the different boys respond to the Headmaster’s effort
to blame Mr. Keating for Neil’s death? |
| |
Except for Todd and Charlie Dalton, who is consequently
expelled from school, they all sign the paper, thus betraying their
teacher. |
| |
| scene 95 |
McAllister and boys in snowy courtyard reciting Latin words.
McAllister waves good-bye to Keating.
|
0,32 |
1:54:28 |
| Q1 |
Which similar scene is there in the film? |
| |
There is another courtyard lesson, the "marching
lesson" in scene 56 that is watched by someone from an upstairs
window. Then it is McAllister watching Keating, now it is the other
way a round. |
| Q2 |
What does this scene tell us about the relationship between Keating
and McAllister? How? |
| |
Just before leaving Welton Academy for good, Keating
sees the Latin teacher following his open air approach to language
classes. They wave to each other, and there seems to be sympathy and
understanding now between the two. |
| |
| scene 96 |
Nolan replaces Keating as the English teacher: The Second
Pritchard poetry lesson
|
3,12 |
1:55:00 |
| Q1 |
Why is the entire scene somehow ironical? |
| |
Nolan reads the very Pritchard preface that Keating
had ripped out. Nolan likes it, which characterizes him well.) |
| |
| scene 97 |
Todd steps on his desk shouting "Oh captain, my captain
..." |
1,48 |
1:58:12 |
| Q1 |
Check/analyse the volume of music and speech in scenes 26 and 27
and comment on it. |
| |
There is harp music, which starts just before
Todd’s "Captain, my captain!" The music gets louder
and louder. Nolan’s voice is evidently also getting louder all
the time, but you hear less and less of it. The boys stop listening
to him; they don’t hear him any longer. |
| Q2 |
Comment on the extreme camera angle in the final scene. |
| |
In a high-angle shot the boys, like the good guys
in a Hollywood cowboy film, look down from their desks on their enemy,
Nolan, while Keating looks up to the boys gratefully. |
| Q3 |
What does this scene tell us about the impact that Keating had on
the boys? |
| |
The ending clearly conveys the message that the
boys have learned what Keating wanted them to. |
| |
| scene 98 |
Todd and Keating look at each other |
0,06 |
2:00:00 |
| Q1 |
Why are Keating and Todd shown at the very end of the film? |
| |
The main emphasis in the film, at least towards
the end, is on Todd who, along with his beloved teacher, is the real
hero. |
| |
| |
END OF MOVIE (action) |
2,58 |
2:00:06 |
| credits |
END OF CREDITS |
|
2:03:04 |
| |
Das
Protokoll als pdf-Datei zum Download |
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